TunState presents a potent metaphor and a playful provocation, asking us to consider the diverse ways in which creatures, human and non-human, respond to existential…
TunState presents a potent metaphor and a playful provocation, asking us to consider the diverse ways in which creatures, human and non-human, respond to existential…
Aslı Çavuşoğlu’s work “Deep Drown Discharge” (DDD) was inspired by marine mucilage, a collection of organisms that arrived in and occupied the surface and depths…
In her solo exhibition at Kadist Paris, “Pink as a Cabbage / Green as an Onion / Blue as an Orange”, Aslı Çavuşoğlu presents…
Not Equal To [USA] addresses language as a mediating force. The pairs of words and phrases hint at the ways in which language is…
The Mourning Herald decontextualizes a familiar system of signs—a process of deconstruction that, Çavuşoğlu explains, “spoons[s] things out from the ‘wholeness’ to give us the…
ANNEX is a font conceived by the artist, and designed by Özer Yalçınkaya. ANNEX finds its inspiration, and shape from a socio-political phenomenon Çavuşoğlu…
Sanat tarihi fikriyle ilk tanışmam, kitap kapağı görsellerinde klasik resimler de kullanan yayınevlerinden Can Yayınları sayesinde oldu. Zemini beyaz olan kapakta yer alan görsel, günümüzün…
In her research-driven practice, Çavuşoğlu takes up questions of history and belief by examining objects, images, and cultural symbols that have endured over time.…
“Ne Evet, Ne Hayır”, Türkiye’nin son yıllarda geçirdiği siyasi süreçlerin resmi dayanağı olan referandum ve seçim sistemini müstehzi bir dille yorumlayarak yeni bir öneri getiriyor.…
Aslı Çavuşoğlu “Eşit Değildir” adlı çalışmasında, kendini ‘’muhafazakâr demokrat’’ olarak adlandıran İslamcı kesim ile kendini laik ve cumhuriyetçi olarak adlandıran seküler kesimin kullanmayı tercih ettiği…