Aslı Çavuşoğlu’s site-specific installation “Both Roots and Stems, Both Are Both Not”, produced for the exhibition “Souvenirs of the Future”, is inspired by the mangrove…
Aslı Çavuşoğlu’s site-specific installation “Both Roots and Stems, Both Are Both Not”, produced for the exhibition “Souvenirs of the Future”, is inspired by the mangrove…
Çavuşoğlu collaborated with Turkish artist İnci Eviner for the research and production of this work. After visiting the Ergene River, located in the Thrace region…
During a stay in Mexico, the artist worked hand-in-hand with artisans from San Pablito in the northern part of Puebla to produce this large-scale work.…
The artist first presented a version of this exhibition at Barriera in Turin. That city boasts the biggest flea market in Europe, the Gran Balon,…
Çavuşoğlu’s own location in the Eastern Mediterranean has directed her to the pinus brutia tree, witness to rapid environmental changes, the movement of peoples, and…
The transmutation of specific, regionally sourced materials and their deployment as connotative visual form is equally resonant in the case of Lambadistrion. Here, beads made…
Traces and trajectories of migration are equally central to Çavuşoğlu’s research in the Sonoran Desert, an active passage for people between Mexico and the United…
TINA, in which leather, bark-paper and drawing come together in the form of an accordion book, is informed by documented instances of natural mummification in…
The causes and effects of migration are part of the artist’s research interests. While collecting the bark of Bursera fagaroides in the Sonoran Desert, Çavuşoğlu…
In Codex, Çavuşoğlu worked with the bark of the Bursera fagaroides, a tree with a shrinking habitat (owing to climate change) that is native to…